Truth, Beauty and Goodness: Freedom and the Platonic Triad in Eric Rohmer’s Film Theory
نویسندگان
چکیده
This article analyses Eric Rohmer’s film theory in the light of Platonic triad truth, beauty and goodness, as embodied by aesthetic philosophy Kant, Hegel Schiller. Although his shows affinity with Kant’s ideal art a form natural beauty, I will argue that broader look at philosophical foundations is necessary. The point where deviates from triadic exactly he approaches aesthetics Turning towards their idealistic creates new understanding theory. His ideas on cinema’s ontology value mirror both Hegel’s emphasis artistic immediate manifestation trans-historical truth Schiller’s belief condition for morality freedom. Plato’s conceptual intertwined goodness lies basis to 18 th century philosophy. close raises question relation between philosophy, position this debate. He enriches own thoughts those philosophers inspired him, legacy cinema-related conclusions.
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ژورنال
عنوان ژورنال: Film-Philosophy
سال: 2022
ISSN: ['1466-4615']
DOI: https://doi.org/10.3366/film.2022.0204